Custom video in Italian language

The clip starts outdoors. Raimondo helps a slender girl to climb a ladder of a small country cottage. The girl wears sunglasses, a surgical mask, a jacket, shorts and blue flip-flops. Once inside the cottage, though, the truth is unveiled: under the jacket the girl's hands are tied behind her back, while the mask covered a tight stuffed cleave gag. Raimondo actually snatched the girl, whose name is Lily, in order to get money of valuable from her rich step-father. But the Fate cooked a bad surprise for him: when he phones Lily's step-father, he's to...

Custom video in Italian language

The clip starts outdoors. Raimondo helps a slender girl to climb a ladder of a small country cottage. The girl wears sunglasses, a surgical mask, a jacket, shorts and blue flip-flops. Once inside the cottage, though, the truth is unveiled: under the jacket the girl's hands are tied behind her back, while the mask covered a tight stuffed cleave gag. Raimondo actually snatched the girl, whose name is Lily, in order to get money of valuable from her rich step-father. But the Fate cooked a bad surprise for him: when he phones Lily's step-father, he's told that Lily is safe at home. The girl, ungagged, says her name is actually Rey, a Lily's close friend who resembles her a lot and sometimes the girls switch their respective identities when they wish it. Raimondo is desperate: if his boss, Tony, realized that he snatched the wrong girl, he wouldn't take it well at all. Hence, as soon as Tony arrives, Raimondo gags Rey again to prevent her from revealing her true identity and keeps on the scam with his boss. Tony is pleased of Raimondo's feat and, after having enhanced Rey's bindings, both men do leave the girl alone, struggling on the sofa. Rey struggles valiantly against the tight ropes, unfortunately with no avail. When the men come back, Tony would call Lily's step-father to make him hear his step-daughter's voice on the phone, but Raimondo persuades him to desist. The men forget the phone on the sofa, so Rey promptly kicks off her flip-flops and tries to make a call with her toes, but Tony notices her move, harshly stops her and brings her to the bedroom. In order to punish the poor girl's attempt and further hinder her movements, he adds more ropes to her bindings and ties even her big toes, leaving Rey to struggle helplessly on the bed.

After a while, Raimondo enters the room. Since Tony told Raimondo to keep Rey's spirit up, he grabs the girl's bound bare feet and start to tickle them. Rey is extremely ticklish and laughs frantically under the gag, but obviously this is not what Tony meant with boosting the morale of the girl. In fact, when Tony eventually enters the room, he chases Raimondo away and tries to calm Rey telling her that they are only interested in the money and don't intend to hurt her. Rey tries again to Tell Tony not to be Lily, but Tony misunderstands her muffled moanings, and further silences the poor girl with several tight wraps of duct tape over the stuffed cleave. More, he makes a strict hogtie to keep her totally immobilized.

Left alone again, hogtied, toe-tied and heavily gagged, Rey's can't do anything more than weakly struggle and moan. Her hopes of being released by the bad guys are now almost vanished.

After a while, the men are back again in the bedroom. Tony wants absolutely compel Rey to make a phone call, as to speed up the money payment. Cornered, Raimondo tells Tony the truth about Rey. Tony is furious with Raimondo and and is about to suggest a drastic solution to the problem, when the room is filled by police sirens and the two scoundrels hastily run away, leaving Lily unharmed on the bed.

In the last scene Rey, finally untied and free to talk, tells the police to have been saved by the GPS tracker hidden inside her flip-flops, a gift from her friend Lily.

All productions (video & images) & associated bondage scenarios depicted are strictly of a role play and story driven nature and feature fully consenting participants and established safe signals (clearly defined within each fantasy scene) between model(s) and crew are in continual use throughout the production