When filming James and Nina for ‘Human Time’, there was so much great material both visually and aurally (Nina wrote and performed the beautifully intimate voiceover) that we simply had to make two separate films. Though just as tender and vulnerable as part 1 , in part 2, we get even more explicit, with more involved rope-play including full suspension. We have a different sonic vibe with new original music giving a lush, dramatic backdrop of strings & electronics.

Nina’s prose-poetry provides a perfect accompaniment to the more developed relationship we see on screen, offering a ...

When filming James and Nina for ‘Human Time’, there was so much great material both visually and aurally (Nina wrote and performed the beautifully intimate voiceover) that we simply had to make two separate films. Though just as tender and vulnerable as part 1 , in part 2, we get even more explicit, with more involved rope-play including full suspension. We have a different sonic vibe with new original music giving a lush, dramatic backdrop of strings & electronics.

Nina’s prose-poetry provides a perfect accompaniment to the more developed relationship we see on screen, offering a startlingly detailed and tender insight into their thoughts and feelings surrounding sex, kink, rope, and emotion.